It also has one of the most infuriating endings I have ever experienced - and I spend entirely too much time watching movies.
![la haine budget la haine budget](https://ih1.redbubble.net/image.848816401.0463/ssrco,long_t_shirt,mens,fafafa:ca443f4786,front,square_three_quarter,x1000-bg,f8f8f8.1u2.jpg)
That being said, it is hardly an easy watch and should not be confused with a blockbuster crime film.
![la haine budget la haine budget](https://www.bbc.co.uk/staticarchive/cdd3d918d311084bfe0946bed5deb55e8a26ca36.jpg)
When someone else enters the frame, the balance is disrupted and the mood is changed.Īrtistically speaking, La Haine is well-worth all the praise it has won. Shots are often restricted to well defined spaces which place the three protagonists relatively dead center in the frame.
![la haine budget la haine budget](https://www.monpetitforfait.com/comparateur-box-internet/wp-content/uploads/2017/10/brigade-de-lutte-contre-la-haine.png)
The use of space in the film works to a similar end. The film’s use of black and white adds to the effect by turning each scene into a mélange of contrasting light and dark, deepening the substantial dark spaces. Thus, any person lurking in the back of the shot has threatening potential. This is especially effective since background characters are fairly sparse in the movie. The concept of a looming menace in the film is furthered by the cinematography, which makes use of soft focus to obscure figures in the background, turning them into threatening shadows. Every scene is tense with the possibility that Vinz may choose to use that gun. In addition, the presence of a gun and its importance to the overall story means that, adhering to Chekhov’s argument, it must be used at some point. It makes Vinz a hunted man, especially since guns are not exactly common in France. Not only is it a gun, but it is a cop’s gun, a tool of the oppressor in the hands of the oppressed. That gun’s menace extends beyond its lethality. Adding to that sense of persecution is the gun which Vinz carries with him. That was nice, but back to the matter at hand. Paragraph break here, because I am going to go throw up. Granted, this does not apply to all police in the movie. They are not an abstract evil but are more just people trying to do their job. Vinz, Hubert and Saïd spend most of their day aimlessly killing time, which is undercut by the splicing of black frames showing only the time in between scenes of the three doing nothing.Īt the same time, despite the mundaneness of their lives, there is a sense that all three young men are constantly being persecuted, as if the authorities are always after them.ĭespite that, however, police in the film are generally portrayed sympathetically.
La haine budget movie#
What it really is a movie about the helplessness of poverty and the navigation of a broken social system which is constantly falling into further disrepair. Unfortunately, I will have to settle with saying that if the last several sentences describe you, then you are an imbecile and I hate you.ĭespite the original conflict and the fact that Vinz carries the gun with him for a large part of the film, La Haine is hardly a crime thriller. You are missing out, and if I could swear in this column, I could express my true feelings about some people’s problem with subtitles. That is essentially the same as refusing to eat food with anything but your hands. Gun in hand, Vinz promises that if Abdel (Abdel Ahmed Ghili), their friend who was hospitalized by the police beating, dies, then he will kill a cop.Ī quick word on foreign language films If you refuse to watch a movie because it has subtitles, you are an idiot. During the riots, a police officer lost his gun and it is quickly revealed that Vinz has it. Life is this already grim setting has been made worse by the beating of a resident by police, an event which sparked a riot and a subsequent increase in the police presence. Unlike suburbs in the United States, French suburbia is essentially a collection of ghettos based around project-type buildings. Yet, all those problems and more are addressed in Mathieu Kassovitz’s 1995 film La Haine, which translates to “The Hate.” The movie follows three young men, Vinz (Vincent Cassel), Saïd (Saïd Taghmaoui) and Hubert (Hubert Koundé), who all live in the suburbs of Paris. One does not usually equate France with poverty, police brutality and racial tensions. La Haine is a movie from the country that brought us a short tyrant, the statue of liberty and a fair amount of nice art - France. The real challenge is writing a review while my brain is being dragged across a cheese grater, but here it goes. That gave me the opportunity to watch La Haine, which was actually a French class assignment. With this highly unpleasant sensation reminding me of my gross failures as a human being, I sit down to write yet another movie review.Įven though I spent most of Saturday night melting holes in my liver, I did manage to be responsible on Friday and stayed in.
![la haine budget la haine budget](https://www.regarder-films.net/wp-content/uploads/2018/06/la-haine.jpg)
This is no doubt this is a feeling many of you, the readers, are familiar with.